The stopped motion close-up. The face, the persona
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Jodi in Greenpoint, Gelatin silver print, with Jodi Melnick
still from Bearskin. French Institute / Alliance Français, New York, NY, with Laurel Jenkins, Luis de Robles Tentindo
Bearskin, photos by Gabriel de Urioste
Beside Myself. Wall: Photograph printed on linen/cotton. Costume: Plaster, boning, acrylic polymer and steel armature
Still from Not Entirely Herself, The Kitchen, New York, NY, photo by Paula Court, with Maggie Thom
Meg in Greenpoint. Gelatin silver print, with Meg Wolfe
Theo in Greenpoint. Gelatin silver print, with Theo Bleckmann
Press photo for Not Entirely Herself. Archival ink-jet print, with Marilyn Maywald-Yahel, Jimena Paz, Maggie Thom
In this new phase I will be looking at how it all fits together; how the torso becomes the spine, how the landscape becomes the meridian. How the marginalia of my daily life—the commonplace and the material—become otherworldly, inscaped.
These are the five domains in which the work finds itself: