Barbara Kilpatrick
Sculpture Costumes Drawings Nearly Stationary at Hudson Hall
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SculptureCostumesDrawingsNearly Stationary at Hudson Hall
Barbara Kilpatrick
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Winter of Discontent, 2018

Winter of Discontent, 2018

Wire, cotton cording, boning, assorted textiles and trimmings, plaster, steel armature.
Total: 10’ x 4’ x 4’

On Leaving: For Chorus, 2016

On Leaving: For Chorus, 2016

Wall: Drawing, scanned and printed on fabric, 6’ x 9’
Costume: Plastic sheeting, wire, duct tape, quilter’s tacks, assorted hardware, steel base.
Total: 73” x 38” x 40”

“...yearning, and yet...” (after Summerspace), 2016

“...yearning, and yet...” (after Summerspace), 2016

Wall: Mono-prints on paper
Costume: Found cotton doilies, linen thread, wire, assorted hardware, steel armature.
Total: 83“ x 48” x 36“

Not Entirely Herself, 2012-2017

Not Entirely Herself, 2012-2017

Wall: Steel and plastic light box with fluorescent tube, digital photographs on mylar.
Costume: Assorted trimmings, thread, wool felt washers, steel armature.
Total: 72” x 48” x 26”

Perhaps, 2016

Perhaps, 2016

Wall: Digital prints on stainless steel plates, each 6” x 6”
Costume: Fiberglass mesh, boning, digital print on gauze, thread, steel base.
Total: 66” x 42” x 36”

Look at Me Mommy/ Look at Me (Waltz of the Flowers), 2016

Look at Me Mommy/ Look at Me (Waltz of the Flowers), 2016

Wall: Digital photographs on canvas, 36” x 60”
Costume: Boning, acrylic polymer, milliner’s mesh, assorted hardware, steel armature.
Total: 58” x 30” x 32”

Making Ends Meet, 2015

Making Ends Meet, 2015

Found polyester trim, plaster, steel hoops, garment racks and bases.
Racks: 7’x 5’x 3’ Costumes: 5’x 3’x 3’

Nearly Stationary, 2018

Nearly Stationary, 2018

Wall: Photographs printed on cotton/linen duck, assorted hardware.
Costume: Plaster, cotton, horsehair canvas, cotton batting, fiberglass screening, assorted trimmings, hardware, thread, steel base.
Total: 9’ x 52” x 48”

still live(s), 2018

still live(s), 2018

Plaster, photographs printed on cotton, horsehair canvas, cotton batting, wool felt, steel base.
Total: 23” x 22” x 12”

Inscape, 2017

Inscape, 2017

Wall: Digital photograph on canvas, 82” x 82”
Costume: Digital photograph on fabric, plaster, acrylic polymer, fiberglass screening, metallic silk, boning, nylon tights, cotton batting, steel base with castors.
Total: 64” x 36” x 24”

The Besotted Boy and the Merry Maid, 2017

The Besotted Boy and the Merry Maid, 2017

Plaster, metal washers: sewn, scanned and printed on cotton; buckram, gilded wire and steel bases.
Boy: 22’x 13’x 7” Maid: 22” x 11” x 8”

Doublet, Sheathe, 2019

Doublet, Sheathe, 2019

Plaster, horsehair canvas, cotton batting, muslin, digital photographs on cotton, thread, metal washers and steel bases.
Doublet: 65’ x 28’ x 24” Sheathe: 62” x 23” x 14”

Entirely Pink Clouds, 2019

Entirely Pink Clouds, 2019

Wall: Digital photograph printed on faux suede.
Costumes/figures: Plaster, digitally printed cotton, cotton batting, assorted trimmings, steel bases, wooden saw horses, zinc table top.
Total: 7’ x 5’ x 3’

Beside Myself, 2019

Beside Myself, 2019

Wall: Digital photograph on cotton/linen duck, quilted
Costume/figure: Plaster, boning, acrylic polymer, steel armature.
Total: 81” x 96” x 36”

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Previous Next
Winter of Discontent, 2018
On Leaving: For Chorus, 2016
“...yearning, and yet...” (after Summerspace), 2016
Not Entirely Herself, 2012-2017
Perhaps, 2016
Look at Me Mommy/ Look at Me (Waltz of the Flowers), 2016
Making Ends Meet, 2015
Nearly Stationary, 2018
still live(s), 2018
Inscape, 2017
The Besotted Boy and the Merry Maid, 2017
Doublet, Sheathe, 2019
Entirely Pink Clouds, 2019
Beside Myself, 2019
 

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